Finally, I contrast the resulting interpretations of Klee, discussing the implications that evolve for understanding both Gadamer and Benjamin- but equally for understanding Klee's work and, provisionally, the work of art, thus construed, for philosophy. culture by blending and fusing the cultures of East and West, and of the Hellenistic age in general. He fashioned divans out of metal, foam and wire, that were surprisingly comfortable, and referred to them as Adaptives for the human body at rest. Eidos, indeed, has vanished, he acknowledged. The Franz West Privatstiftung announced today it is currently prepping a catalogue raisonn for Franz West, the Austrian artist best known for. In the early 1980s, West turned his attention to furniture. It was West’s attempt to challenge the aesthetic relationships between art and objects of everyday life. These early sculptural works (‘Adaptives’ or Paßstücke) were meant to be portable, and interacted with by the viewer. His earliest works were collages and small sculptures made from papier-mâché. He began consolidating his particular style during the 1960s. The subversiveness of using furniture as sculpture and vice-versa is self-evident. Franz West (1947-2012) Franz West was born in Vienna in 1947. In this paper, I examine this position and Gadamer's own use of it in his analysis of Klee's work, contrasting it with that of Walter Benjamin's account of allegory, equally indebted to Goethe and this archive. Franz West, Lips, 2012, aluminum, epoxy resin. 34 5/8 x 20 1/8 x 21 1/4 inches (88 x 51 x 54 cm) David Zwirner reclining in Franz West’s Untitled (Chaise Lounge), 1994. , Gadamer associates his project for a general "theory of hermeneutic experience" not only with Goethe's metaphysical account of the symbolic but equally with a "rehabilitation" of allegory. Moreover, Klee himself was not only one of the most important artists of aesthetic modernism but one of its leading theoreticians, and much in his work, as in Gadamer's, originated in post-Kantian literary theory's explications of symbol and allegory. Paul Klee's art found broad impact upon philosophers of varying commitments, including Hans-Georg Gadamer.
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